![]() ![]() Our web pages and their contents are subject to German copyright law. Should any legal infringement become known to us, we will remove the respective link immediately. No violations were evident to us at the time of linking. Responsibility for the content of external links (to web pages of third parties) lies solely with the operators of the linked pages. Our obligations to remove or block the use of information under generally applicable laws remain unaffected by this as per §§ 8 to 10 of the Telemedia Act (TMG). In this matter, please note that we are not obliged to monitor the transmitted or saved information of third parties, or investigate circumstances pointing to illegal activity. According to statutory provisions, we are furthermore responsible for our own content on these web pages. However, we cannot guarantee the contents' accuracy, completeness or topicality. The contents of our pages have been created with the utmost care. Of course, each musician is invited to work alone.Information in accordance with Section 5 TMGĬookie consent Click here to revoke the Cookie consent Disclaimer Accountability for content Some bands reserve the click for rehearsal sessions, others use it on stage. Then, the drummer will just have to have the click, with headphones or ear, and the other musicians will have to be well tuned to the bass drum. Working with the click in a groupįor bands that have never worked with the click, it is recommended to first put the click together in the speakers, so that everyone can see their own mistakes. ![]() There is no need to go through all the bpm, you can go from 20 to 20 so in this case: 60-80-100-120. Then increase the tempo from one work phase to the next. For example, for a piece at 120 bpm you can start at 60 bpm. Often you can start at half that in terms of bpm. In terms of method, you start at a lower pace than the one you are aiming for. It can then be used for more musicality, in the interpretation or in the swing. It is also used, after the deciphering phase, to master the piece studied. It should be reserved for specific work sessions, dedicated to study, regularity and technical mastery.įor example, it is often used to practice scales or arpeggios. The metronome should not be used systematically. The choice of the speed of each song is therefore important, in a general way, or according to the set planned, the atmosphere planned for the concert to come. Depending on the mood of the drummer and his first intention, it is easy to play too fast, or to put the audience to sleep. This is a necessary step to take if you want to become a professional.įor bands, whether in composition or in cover versions, the metronome also has the advantage of being able to be sure of the speed at which a song should be played. If the drummer is not regular, it is difficult for all the musicians to play together, and the interpretation of the piece will also sound amateurish and not mastered. ![]() The interest of click work is also real in group work. It is imperative for a musician to work on the metronome to gain both consistency and control of his fingers and his instrument. In short, they do not master what they are doing. They often slow down on the difficult passages and speed up on the easier or catchy ones. Beginning or amateur musicians tend to want to play too fast. ![]()
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